Available for campaigns & builds

Campaigns that cut through.

I make films and campaigns, and I build the sites, tracking, and systems that help them land.

Why me

You have probably seen ten good showreels today.

Most editors can cut. Fewer have sat in the marketing seat, owning the idea from pain point to result, shipping launch films inside a product company, opening a venue in Abu Dhabi, running a studio for clients who need content every week, and building the site when the campaign goes live.

I am not an agency pass-through. I edit, shape the campaign, and build what sits behind it.

If you do want a showreel anyway, I won't hold it against you. .

Head of Video

Giraffe360: brand films, education, launch

Launch lead

Zero Latency VR Abu Dhabi

Founder

Forse Media: nightlife, property, music

Builder

Sites, tracking, AI for operators

What I solve

Three ways clients usually find me, each with proof behind it, not a service list.

01 · Film & campaigns

A film that lands after the moment has passed is just expensive wallpaper.

I have made this inside a product company and on club floors: the brief is never “make it cinematic.” It is: make someone get it in thirty seconds, post it tomorrow, and use it again next quarter. That is why every campaign here is framed as pain, solution, campaign, and result, not a mood board.

Also: Zero Latency Abu Dhabi · After dark · Record-breaking months

Giraffe360 · 2024

List Easy

A product-led brand film that made listing a property feel effortless: one capture, a complete media kit, content ready for every channel.

Read the campaign →

02 · Product & growth

Traffic without tracking, and a site that was never built for the ad: that is where campaigns quietly die.

I do not hand off at the export. When paid acquisition needs a home, I build the site, the landing pages, and the measurement underneath. Music Library Tools is the recent example: brought in for digital ads, then set up the funnel so a customer could be tracked from first click through to purchase.

Also: Product education

Music Library Tools · 2026

Groundwork before the ads

Brought in for digital ads, then found nothing was wired. Revamped the site, built landing pages, and set up Analytics, Tag Manager, and Meta Business so a customer could be tracked from first click through to purchase.

Read the campaign →

03 · AI & systems

Most teams are drowning in content requests and manual work the campaign created.

At Giraffe360 that meant thirty-two ad exports every two weeks: four markets, four aspect ratios, clean and subtitled. I built a custom app beside Premiere and Media Encoder so editors could hand off the grind and get hours back. Not a demo. A tool the team actually ran.

Giraffe360 · 2024

Thirty-two exports. Every two weeks.

At Giraffe360 the bottleneck was not the edit, it was the export matrix. I used ChatGPT to build a custom app alongside Premiere Pro and Media Encoder so the team could ship in minutes what used to take hours.

Read the campaign →

The frame

Every campaign on this site uses the same story structure.

Pain points, solution, campaign, results: so you can see how the work was built, not just what it looks like. That is the difference between a portfolio and a case for hiring me.

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Q&A

Questions before you reach out.

The things clients usually ask once they have looked at the work.

01What kind of work do you take on?

Brand and launch films, social cutdowns, customer stories, property and nightlife content, product sites, conversion tracking, landing pages for ads, and practical AI for teams who need to move faster. If it sits between an idea and something a client can use, I have probably done a version of it.

02Do you work remotely or on-site?

Mostly remote from Southampton, with on-site shoots when the job needs it: clubs, properties, launches, events. I have worked inside marketing teams and as a studio founder, so I am used to fitting around how you already work.

03Why is every campaign framed as pain points, solution, campaign, and results?

Because that is how hiring decisions actually get made. A showreel shows taste. A case study shows judgment: what was broken, what we did, and what changed. That is the structure on every piece of work here.

04Can you handle the film and the site or tracking behind it?

Yes, that is a big part of why clients hire me. Music Library Tools is a recent example: site revamp, landing pages, and full-funnel tracking before the ads could run, not just a film that needs somewhere to live.

05How do we start a project?

Email hello@jonathanforse.com with what you are trying to move, your timeline, and any references you already have. If it looks like a fit, we will talk through scope and next steps, no pitch deck required.

06Is this the same as hiring Forse Media?

Forse Media is my studio for social-first film and animation: nightlife, property, music, events. This site is the broader picture: campaigns, product work, and AI. If studio production is what you need, we can route it there; if you need the full campaign and build, you are in the right place.

Still unsure? Say hello. A short note is enough to start.